ronan currently attends the australian national academy of music

where he is studying with timothy young

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BEGINNINGS

It all began with a humble Nintendo DS console where Ronan found a little piano game. Wanting to play the 'real deal,' he began teaching himself how to play piano at age eight. After formal lessons and many bad habits unlearnt, Ronan attended the Sydney Conservatorium of Music High School to dive into the big wide world of music.

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TODAY

Ronan completed a Bachelor of Music (Performance/Composition) at the ANU School of Music, Canberra, where he was top of the graduating cohort in 2021. In 2022, he has been busy building a reputation across many different circles in the local music industry as a performer, collaborator, and organiser in regional New South Wales, Sydney, and Canberra. He has been quietly refining his solo performance practice to break down the barriers of traditional piano concerts and bring new music to new audiences. He is also challenging traditional concert attire and formalities by experimenting with venue, dress, speech, and allowing the audience to eat, drink, and chat throughout. There are plans to start experimenting with keyboards, laptops, samples, drum machines, and loop pedals...when there's a spare moment!

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AS A PIANIST

Ronan has gone on to perform in a diverse range of genres, ensembles, venues, and settings. Whether upstairs at a food hall in Canberra or at the Rachmaninoff Hall in Moscow, he always has an "authority and determination," a "relaxed confidence" (Canberra CityNews) and "a talent beyond his age" (Limelight Magazine) about his playing.

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Festival appearances include the 13th International Music Festival in Moscow, the Manly Jazz Festival with the Manly Jazz All Stars, and the 2022 and 2021 Canberra International Music Festival, where he was the Young Artist. Ronan has appeared as guest soloist with the Penrith Symphony Orchestra, the ANU Orchestra, and the Sydney Contemporary Orchestra. Ronan has also presented many modern and contemporary music concerts, both as a solo artist and in collaboration with other musicians. Selections include with cellist David Pereira, bass Jack Stephens, and flautist Emma Warburton.

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Ronan is also an acclaimed associate and chamber musician, winning prizes in both these areas. Having a wealth of experience working with musicians across the spectrum from hobbyist to internationally-touring professionals and such a versatility, it is easy to understand why Ronan is so in-demand as a collaborative musician. He is currently an approved associate artist with the ANU School of Music, and has worked with the National Opera and Moorambilla Voices.

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Ronan is committed to promoting and elevating the presence of Australian music, especially of contemporary or recent composers. In June 2021, he made his recording debut with Dulcie Holland Crescent - an album of largely unpublished and unheard music by Australian composer Dulcie Holland. Since its release, it has been regularly played on 2MBS Fine Music and ABC Classic, where it was made a feature album. 

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AS A COMPOSER

With a wide range of influences and the experience of being a performer himself, Ronan's original music demonstrates a unique voice. His willingness to experiment with genre and medium has seen him described as "amongst the top composers of his generation." (Dr. Huw Belling)

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Ronan's works can be described as one of two very opposite styles: 'serious' and rich-with-pathos works, or outrageously sarcastic and tongue-in-cheek. While composition feels second to performance for Ronan, his music has been performed by the Conservatorium High School Orchestra, the Australian Youth Orchestra, and in many smaller ensembles across Sydney and Canberra venues. He has also received recognition for his music from Sydney Chamber Opera, the ANU School of Music, and UNSW Music Performance Unit through prizes and performances of his works.

 

Ronan also has experience as an arranger and orchestrator, having been commissioned several times in previous years. He has also collaborated in creating cross-discipline artworks with dancers, playwrights, and authors, and is interested in exploring ways music can exist as more than an aural dimension. Ronan is also interested in reshaping the composer-performer model and is interested in experimenting with ways to blend the two into a hybrid-practice, rather than two separate disciplines.